Larry Chandler knows what his fellow soldiers don’t—that war scars you and haunts you, leaving you with memories you’d prefer not to face. They’re all National Guardsmen serving together in Iraq, but he’s already done a stint in Afghanistan, whereas they’re fresh-faced youngsters on their first tour. The new soldiers are eager for something more interesting than life on a firebase, or boring guard duty at isolated outposts—and they’re about to get their wish.

Adam Kovac has written one of the great novels of the Forever Wars—one that captures both the dust and grit and sweat of soldiers on patrol, and the surrealism of their lives back on base. (Where they might be checking Facebook and ordering lattes one minute, and dodging mortars the next.) In its first edition, it earned comparisons to the likes of Hemingway, Mailer, and O’Brien; this revised second edition promises to find it the audience it so richly deserves.

"Adam Kovac’s The Surge gives us a pivotal time in the Iraq War, but at the most intimate of levels. This gripping, honest and moving novel shows us how grand strategies play out for regular soldiers, who in Kovac’s hands are portrayed with a vividness that brings me back to the men and women I served with."

— Phil Klay, author of Redeployment, winner of the National Book Award

"It's a small sliver in history now, but for a while there, not so long ago, the troop surge in Iraq seemed quite a significant affair, even the center of the entire world if you were there. Adam Kovac captures that strange, messy time with verve and the sort of dark truthfulness only fiction can provide. The Surge is a very fine novel that deserves wide readership."
— Matt Gallagher, author of Daybreak

“Ever since the United States has been throwing our men and women into combat in Afghanistan and Iraq, novelists have been trying to come to grips artistically with these so-called ‘forever wars.’ Onto this already-crowded shelf of war literature comes one of the best of the bunch: Adam Kovac’s The Surge. It perfectly captures the combat experience — long periods of boredom punctuated by sudden bursts of violence — in prose that never lets up in intensity.”
— David Abrams, author of Brave Deeds and Fobbit